Gauss ... sophisticated three-dimensional pattern.
Cladding enters the third dimension
01 February 2010
DuPont has introduced the ‘3D’ collection of decorative panels for interior cladding applications.
They have been made with DuPont Corian solid surfaces and feature sophisticated three-dimensional patterns created with the help of an advanced technological solution. The decorative panels of this collection can be used in a wide variety of interior environments, both residential and commercial.
The collection is based on a new technology that enables quick application of sophisticated and complex three-dimensional patterns on DuPont Corian.
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3D collection of DuPont Corian ... the Voronoi and Phyllotaxis (bottom) patterns. |
The technology blends advanced geometry manipulation software tools with a versatile and highly efficient high-pressure compression moulding technique. It also enables DuPont to apply customised patterns on Corian, according to the specific design requirements of architects, designers and furnishing or interior design companies, with a short prototyping period and competitive costs.
The first line to be produced as part of the ‘3D’ collection is the ‘Math’ series, which includes elegant and creative three-dimensional patterns inspired by the theories of famous mathematicians and mathematical functions.
The series includes six different models – Fibonacci, Gauss, Moire, Fourier, Voronoi (all measuring 2,400 by 700 mm) and Phyllotaxis (700 mm by 700 mm) – and is the result of a collaborative creative effort led by Corrado Tibaldi of DuPont Building Innovations, who involved Prof Alessio Erioli and Andrea Graziano as external design consultants.
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In the Gauss model, the shape of the panel is the result of subdividing it into a variable number of cells, with every single surface considered to be a diaphragm composed by two modular shapes. The opening created by these shapes is ruled by the values of a fully-controlled Gaussian curve.
The shape of the Phyllotaxis panel takes inspiration from the famous Fibonacci spiral. The pattern is based on two sets of spirals revolving in the opposite directions.
In Voronoi, the shape of the panel is based on a Voronoi diagram created with an array of points on the subdivision of a spiral shape. Every single Voronoi cell boundary generates another offset and interpolated curve shifted at a parametric height. Meanwhile, the shape of the Fourier panel is the result of subdivision of the surface into bands or ribbons of variable random height.
Every ribbon is characterised by a specific sinusoidal path based on a random span distance and height. The final panel appears to be the result of applied vibration forces that enliven the single surfaces.
In the Fibonacci model, the shape of the panel is closely linked to the Fibonacci spiral path, the squares built on it and the resulting golden rectangle. Every single square is transformed into a parametric cell with a variable maximum height, taper angle and opening size. The resulting squares create the proportional Fibonacci sequence onto the final shape of the panel.
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Fourier ... creates a series of bands or ribbons on the surface. |
Finally, the shape of the Moiré panel is the result of a subdivision into a variable number of stripes.
The distance to each centre of stripe from a hypothetic point governs the height and the deviation of the sinusoidal curves generating the surface. The optical result of this wave effect determines a sort of Moiré effect on the surface of the panel.
The ‘3D’ collection will progressively include other series of decorative solutions, always featuring innovative three-dimensional patterns.
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